Bath sketchcrawl, Saturday 21st May – Update

I’ve been watching the weather forecasts closely this week, and there’s been stubborn patch of heavy rain covering Saturday morning in every forecast. It still hasn’t shifted… As sketching in heavy rain is tricky, and sketching in heavy rain on top of a high roof is even trickier I’ve had to cancel the rooftop/Tower part of tomorrow’s sketchcrawl. Sorry! I’d even booked the local paper to come and photograph us in action.

BUT, we’ll still be meeting by the Abbey doors at 11am, for some shared sketching inside the Abbey (beautiful memorial tablets, lofty interior spaces, cosy private chapels, wandering tourists etc). So I hope to see you with your brollies tomorrow. (The Abbey are happy for us to rearrange the extended Tower tour for another time.)

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Funchal museum

Back to Madeira with some sketches from the Frederico de Freitas museum in Funchal. A small ivory carving (with a lamb on the shoulder and one on the knee, St Agnes?), figures on tiles, and a C19th engraving of Madeira printed in negative. I could have happily spent hours sketching the animated blue figures on their many Delft tiles, carefully following the economical and expressive brush-strokes, all fixed in glaze 300 years ago (“The Delft potters made tiles in vast numbers, estimated at eight hundred million over a period of two hundred years”!).

funchal22914Derwent Inktense pencil, watercolour, A5 – 20 mins

april16fdfbh1Noodlers Brown 41 and Namiki blue ink in Kuretake #8 brush-pen, watercolour, A5 – 30 mins

funchal22916White gel pen, A5 – 30 mins

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Selfies, again

The usual parade of glum and suspicious late night portraits… Sherry says the third one is how I’ll look when I’m seventy! In the second one my mouth is my third hand, holding the extra brush-pen I’m using. By the next one I’d used elastic to attach two brush-pens together, creating a reversible double-ended ink-brush, much easier to use, if a little odd looking… The first one was done using Derwent Inktense pencils, currently challenging bush-pens as my favourite sketching medium; a dab of water and line becomes tone.

april1615abbbbbeydfd4april1608april1604april1601april16fdf1april16fd1Derwent Inktense pencils, Lexington grey and Brown 41 in brush-pen and water-brush, watercolour, A5 – about 20 mins each, as it was late and I wanted to get to bed

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Around Funchal

More from Madeira, three general views around the capital. The first is from a rocky beach (they’re all rocky on Madeira…) near the harbour, buildings crowding the crumbling cliff. Then looking down a central street towards the surrounding hills, cloud descending. Finally a view from the harbour up to the hills, with more clouds wrapping around the peaks. All in brush-pen (just dilute ink in the last one, hence the washed out look), with the ever-useful white gel pen for fiddly bits.

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Lexington grey in brush-pen and water-brush, water-colour and white gel pen, A5 – 30 mins each 

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Sheltering and walking

Madeira is famous for its ‘levadas’, over 2,000km of hand-built irrigation channels with narrow paths alongside that snake along the contours of the hills, bringing water from the rainy Northern hilltops to the fertile Southern slopes. Our first attempt to walk them was rained off, so we spent a happy couple of hours in an inn, drinking coffee, eating pastries, and drying out by a lovely fire instead. During our stay several coach loads of other tourists arrived and left, and a cockerel pottered about, pecking crumbs off the floor while the rain hammered down outside. A couple of days later we managed a proper levada walk, and I did a couple of quick pencil sketches as we went, keeping half an eye on the unguarded sheer drops that kill several walkers each year

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All sorts, including pencil, fountain-pen and ink-brush, all A5 – various times

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Madeirans

People watching in Madeira, where the fine weather encourages lots of public loafing; very helpful for sketchers! The first three were done using Derwent Inktense pencils. They’re very smooth to draw with, quick to capture an expressive line, non-smudging (the key draw-back with my favourite 5B pencils) and full of pigment when wet with a water-brush; a very handy sketching tool.

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funchal221Derwent Inktense pencils, ink-brush with Lexington grey, water-colour, A5/A4 – various times

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Madeiran market

Just back from Madeira, a beautiful sub-tropical Portuguese island, 360 miles west of Morocco. Many sketches to share, starting with the main fruit and flower market in Funchal, the capital. I used an acetate grid to mark out key lines, then sketched fairly loosely in pencil from halfway up the stairs, the sketchbook clipped open and mostly stable. If you visit the market watch out for the hard-sell on over-priced passion fruit upstairs, but do enjoy the amazing variety of locally grown fruit and flowers, and the melodiously whistling market porter.

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6B pencil, dilute Lexington grey in water-brush, water-colour, A4 – 40 mins 

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Park tree

I went to the Botanical Garden to sketch the magnolias again, but it was shut (“Gates will be locked one hour before sunset”). So I sketched a tree across the road instead. Brown ink in a Kuretake #8 for the line work, and the usual suspects for the rest. Adding layers of dilute Lexington grey lets me boost the contrast in key areas; it’s my favourite part of the whole process, gradually building depth.

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Noodlers Brown 41 in Kuretake #8, Lexington grey in water-brush, watercolour, A5 – 45 mins

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Cloudy

The same cloud sketched four times, continually changing as sunset approached (‘cloud’ is sometimes more verb than noun). The light pencil lines were mostly drawn blind, with watercolour wash added straight after the final drawing, the colours still fading from the sky. The clouds were clouding over a city, and I was stood in the city sketching them; is this urban sketching? Below are some other attempts at clouds from the last few years.

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Pencil and watercolour, A4 – 30 minutes

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Magnolias

Three attempts to catch the rich lusciousness of magnolias blooming in Bath’s Botanical Gardens. For the first and last ones I used fountain pen for the initial drawing, for the second one brush-pen and white roller-ball. The white paper and Payne’s Grey wash on the first helps to capture the petal’s glow, but this was scuppered in the last one by using grey paper and grey ink for shading, duh!

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Posted in Bath, botany, brush pen, coloured paper, comparisons, flowers, garden, urban sketching, white pen | Tagged , , , , , , | Leave a comment